Sunday, 31 July 2016
Captain Fantastic by Matt Ross
A seventeen year old boy camouflaged in mud kills a deer with a knife and emerging out of the forest are his five siblings who watch their father, Ben (Viggo Mortensen), initiate the seventeen year old, Bo, into manhood.
Ben and his six children live off the land in the Pacific Northwest forest. All six children, from seventeen-year-old Bo to seven-year-old Nai, speak multiple languages and are experts in everything from history to physics. Their daily rituals involve physical conditioning, listening to Bach, studying, hunting, and in the evening they huddle around the fire for an improvised musical jam sesh. In this musical scene without dialogue Ross conveys the emotional cohesion and loyalty they have together. Ben's approach to parenting is rigid in routine but full of compassion and love.
Thursday, 28 July 2016
Hunt For The Wilderpeople by Taika Waititi
While this disappointing summer has been filled with studio blockbuster #brands, Taika Waititi invites us into the New Zealand bush for a witty coming of age road trip and a breath of fresh air. His zany and energized sensibility provided laugh after laugh with the excellent What We Do In The Shadows. Wilderpeople is his Moonrise Kingdom, a charming children's tale with a father/son dynamic that has more excitement than most of the summer blockbusters.
Monday, 4 July 2016
Check The Gate Season - The Search for the American Soul in the Right Stuff
Check The Gate is a new season dedicated to presenting films on film that will run at the Prince Charles cinema this summer. It is a collaborative efforts curated by various journalists and film collectives such as our friends at The Badlands Collective. Among the impressive line-up, peppered with rare films and old favourites, the highlight might well be the 70mm presentation of The Right Stuff, probably one of the greatest American films ever made. Our contributor Andy Zachariason tells us why, and it feels fitting to publish it on this 4th of July.
In 1980 the silhouette of a man in a fedora and the crack of a whip signaled a new hero in American cinema and set the stage for the onslaught of 80s popcorn spectacles. Indiana Jones was the child of blockbuster wunderkinds Spielberg/Lucas and brought black and white morality. In 1982 an alien befriended a fatherless young boy and in doing so restored the balance of a nuclear family. In 1985 a teenage boy went back in time to 1955 to repair his parents marriage and restored order to the 1980s. The decade of Reagan era cinema is loaded with tales of returning to a "simpler" time, but there is one film that crystallized that 1950 American spirit and hero better than any other. In 1983 Philip Kaufman's The Right Stuff, based on Tom Wolfe's novel, merged spectacle with decades of American discovery. It was as if the soul of American ingenuity had finally been given the proper scale.
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