Monday, 30 January 2017
“There won’t be another Camelot. Not another Camelot.” Jackie Kennedy says to herself — both as a statement about the country passing into darker times and as reassurance about her husband’s legacy. Grief and myth collide in director Pablo Larraín’s intimate study of the person most affected by one of America’s greatest tragedies.
Allow me to be cliché and call Natalie Portman’s performance here a revelation. The control of slipping between reality and artifice is incredible – her wandering around the white house with no direction makes the film feel more like a ghost story than anything resembling a biopic. And not since Tom Hardy’s Bane has a voice been so bizarrely engrossing.
Tuesday, 24 January 2017
M Night Shyamalan is still best known for The Sixth Sense (1999) after all these years, and its ending that probably has one of the best known twists in the history of film. His career had never quite matched this success until Split (2017), which came top of the box office last weekend in the USA, largely thanks to the promise of one of his trademark twist endings. But does it work? SPOILERS (well, duh!).
Wednesday, 18 January 2017
If, like me, you were an fan of horror films in the 80’s/90’s, you’ll remember the final girls, one of the most regular tropes of slashers. You’ll also remember the actresses who played them, or perhaps not, as none of them ever had much of a career after their brief turn in the limelight, and in those pre-IMDB days, you had no idea what had happened to them. Most probably smaller parts in barely seen films, bit parts on TV and little else.
Sunday, 8 January 2017
I have asked my contributors to list their top 5 films of 2016, without giving them any particular rules. A few years ago I had launched the "bloggies", doing a round up of blogger top film lists but I feel that is far more interesting to publish each writer's own list, as it is a lot more personal that way, so here they are, including mine!