Friday, 30 June 2017
Reviewed by Linda Marric
Adapted from Hans Fallada’s highly acclaimed 1947 novel, Alone In Berlin is a story based on real life events which took place in Berlin at the heights of Nazi rule. Staring Emma Thompson and Brendan Gleeson, the film delves into one of Europe’s darkest hours and addresses the everyday acts of quiet resistances by ordinary German citizens during that time. Alone In Berlin not only tells an important story about stoic resistance to a hateful destructive ideology, but it also allows these acts of rebellion to be shared with a wider audience around the world. Directed by actor turned director Vincent Perez, Alone In Berlin is expertly crafted visually and has more heart and urgency that you could ever wish for, even if it is ultimately let down by a less than perfect screenplay.
Tuesday, 27 June 2017
Posted by Sam Inglis
What's it all about?
Over the course of one summer, 18 year old Jess (Sarah Hagan) and 12 year old Moss (Austin Vickers) spend their time in an abandoned, derelict house. They hang out, play, talk, argue and grow up.
Why haven't you seen it?
I may have missed this film on the festival circuit, but the first I even heard of it was when I stumbled on the DVD while looking through a sale on titles from the label it was released on in the UK. It's a fair bet that this just flew under your radar.
Why should you see it?
Mainstream coming of age cinema has been pretty uninteresting of late, dominated by YA adaptations, but in the background, in the indie scene, there has been a quiet renaissance going on in the genre. Jess + Moss ought to be seen at the very centre of that renaissance.
Tuesday, 20 June 2017
Reviewed By Linda Marric
It's no secret that Londoners have alway met any big Hollywood or British production based on a local landmark with a huge amount of suspicion, and sometimes even derision. Who could forget the locals' reaction to Roger Michell’s Notting Hill in 1999, and how the lack of representation of the area’s rich and diverse community was met with anger and disappointment by many. Granted, Hampstead doesn't exactly present the most subtle or even the most believable narrative, but if you are willing to ignore the blatant “touristic” aesthetics attached to it, you might find yourself rooting for this hugely completing, yet slightly flawed rom-com. Staring Diane Keating and Brendan Gleeson and directed by Joel Hopkins, the film centres around themes of gentrification and triumph over corporate greed in one of the capital’s most affluent areas.
Thursday, 15 June 2017
Reviewed by Gabriella Apicella
To the devotee and the uninitiated, “The Seasons in Quincy” inspires the urgent passion of the curious.
As art critic, novelist, painter and poet John Berger will be referenced as a great intellect for generations to come. His use of language in such seminal essays as “Ways of Seeing” demonstrates a mind of great compassion and precious insight that can transform perception. So a film that can bring its audience to an intimate sense of knowing the man behind the work requires skill, and a radical style. As epic a task as Todd Haynes’ unravelling of the facets of Bob Dylan with “I’m Not There”, a conventional approach to capturing the man’s essence would be at risk of missing the point. In Berger’s own words: “To separate fact and imagination, event and feeling, protagonist and narrator, is to stay on dry land and never put to sea.”
Tuesday, 13 June 2017
Reviewed by Linda Marric
To celebrate the 65th anniversary of the release of Mandy, Studiocanal have brought out a brand new restoration of this well loved Ealing Studios Classic on Blu-Ray and DVD. Considered by many to be one of the best productions to come out of the legendary studios, Mandy gained a huge success and notoriety when it was first released in 1952, and went on to earn a special place in the hearts of all those who've come across it since.
Monday, 12 June 2017
Reviewed by Andy Zach
Friday, 9 June 2017
Thursday, 8 June 2017
Reviewed by Linda Marric
Monday, 5 June 2017
Dying Laughing is documentary that tries to find out just what makes a stand up comedian do what they do. Stand-up comedy, as presented here, is sheer hell. A gut-wrenching, life-ruining experience that chews up the weak and leaves even the strongest broken and alone.
Or maybe it is life-affirming and invigorating? An endorphin and serotonin speedball that gives just as much as it takes from the hapless junkies who crave it so much they will soak up abuse from a crowd of drunks just to get a fix. Dying Laughing remains neutral, allowing its interviewees to tell it their way.
Friday, 2 June 2017
Internationally acclaimed Japanese Director Kore-Eda Hirokazu’s gentle depiction of soul-searching Ryota’s (Abe Hiroshi) attempts to connect with his life, whether work, friendship, family, lacks a complexity of character development to lift his protagonist from a maudlin self-pity.
While his mother, sister, ex-wife, son and young colleague manage the challenges of bereavement, low income, divorce and dashed hopes with pragmatism, Ryota merely mopes. Dejected after not fulfilling his ambitions as a novelist (or perhaps because this didn’t bring him the fame and wealth that are apparently his uppermost concerns) he works as a cheap private detective. Swindling and double-crossing his sleazy clients earns passing amusements as the film comments on the falsity of having the “perfect life”. However, they do little to gather momentum or engagement with the Ryota’s half-hearted attempts to reconcile and ameliorate the consequences of his neglectful behaviour. Rather, all of his actions feel that they come rather too late to be meaningful, and even veer into quite soulless manipulations as he begins to employ the strategies of the deceased alcoholic father he hopes to avoid becoming.