To Leslie by Michael Morris

A single mother in Texas wins a sizeable amount at the lottery only to rapidly spend it all in a few years and find herself near destitute and turning to the bottle. She tries to reconcile with her estranged son and the friends and communities she left behind.

If that synopsis sounds melodramatic, it's because it is, purposely so. At times the narrative beats might sound like they belong to some old school made-for-TV movies but this is nothing of the sorts, rather To Leslie is a downbeat independent film that lays bare the misery Leslie finds herself in but the director is not interested in making this an issue film about an unfair, uncaring American society, it focuses instead on individuals and small communities. Similarly, this is not a film about alcoholism, nor is it used as a cheap narrative trope. 

Cannes 2022 - Awards and Comments

What a year this has been for the Cannes Film Festival. Following the 2020 hiatus, then the delayed but exciting 2021 edition, the festival was back for the first time in as normal conditions as we could have hoped for, at its usual time of May and with an abundance of talents and films. Fears that film festivals might never be able to return to normal in a long time proven unfounded. The predicted superspreader event that had been predicted for the 2021 festival then this one did not happen and it was a celebration of both sides of cinema, the arthouse and the glamour, that was sorely needed!

Cannes 2022 - Showing Up by Kelly Reichardt

Showing Up might not seem have the same emotional weight and narrative stakes as some of Kelly Reichardt's best films such as Old Joy and Wendy & Lucy at first, as we spend a few days in the company of Lizzie and the people in her lives, her family and a community gravitating around an art school in Portland. The most dramatic developments in the first half involve an injured pigeon and a catalogue not ready on time for her upcoming exhibition.

Cannes 2022 - Dodo by Panos Koutras

You never know what to expect from wonderfully eccentric Greek director Panos Koutras, the man who gave us creature horror Attack of the Giant Moussaka (!) and moving coming of age Xenia (Cannes 2014). He is back on the Croisette with a film called Dodo. About a dodo...

Cannes 2022 - Domingo and the Mist by Ariel Escalante Meza

The first Costa Rican film to be in the official selection in Cannes ever, Domingo and the Mist seems to thread some familiar ground at first, with its portrayal of a gruff old man who, alongside his neighbours, is targeted by some shady officials who are trying to pay them to leave their houses to be able to build a highway.

Cannes 2022 - Crimes of the Future by David Cronenberg

David Cronenberg returning to full blown body horror, a subgenre he is arguably one of the most famous representatives of and with a star cast, reuniting with Viggo Mortensen and with Léa Seydoux and Kristen Stewart joining his universe, it sure did not get more exciting than that. His style has been copied by so many, including his own son who does not seem to be able to get out of his shadow so there was the risk of him retreating too familiar grounds, perhaps even delivering a self-parody... yet we should not have worried!

Cannes 2022 - Triangle of Sadness by Ruben Ostlund

After a long period of gestation, Palme d'or Winner Ruben Ostlund was finally ready to unleash his latest film at the Cannes Film Festival with a synopsis that promised to be anything than subtle given the subject: announced as a fashion satire as well as the story of a cruise for the über Rich with a Marxist captain... One had to wonder how these scattered elements were going to coalesce into a coherent story...