Looper Review

Writer/director Rhian Johnson burst onto the indie scene with 2005’s razor-sharp and deeply cool high school noir Brick but his second feature, the adorable conman caper The Brothers Bloom, had an unjustly muted release and has never been given the attention it deserved. Instead of staying in his mannered art-house comfort zone, Johnson has attempted something very different with his latest film that’s been gathering tremendous buzz: a science-fiction action movie starring Bruce Willis.

Barbara Review

German director Christian Petzold tells a very German story of conditions people lived through under Socialist Eastern Germany by stripping away obvious depictions of border controls or barking German Shepherd dogs. Barbara is set in 1980 and centres around the titular Barbara (Nina Hoss) a doctor who having requested a visa to live in West Germany is effectively punished by being transferred out of Berlin to the East German provinces. Constantly tense and on alert, Hoss'Barbara is perpetually looking over her shoulder both physically and metaphorically as she meets her new hospital colleagues including another doctor, André (Ronald Zehrfeld). 

Exclusive Interview With Claudia Gerini, Star Of TULPA

Claudia Gerini

It is an understatement to say that neo-giallo TULPA made a big impact at its word premiere at Frightfest in London at the end of August, polarising the audience and offering us a film so visually inventive and, I have to admit, utterly bonkers in parts, that it found its spot on my top 3 films of the festival. You can read my round up of the day of its screening in Frightfest here.

Whatever you opinion of the film might have been, it is undeniable that its lead actress, the Italian star Claudia Gerini, gave an inspired and committed performance for what was a very challenging part. And she has been kind enough to answer a few of my questions:

Man With A Movie Camera: The Honest Review

Last month, British film mag Sight & Sound published its top 100 lists of the best films ever made, as they do every decade, and as voted by over a hundred of the most respected film critics and experts. Within the top 10, there were some mostly obvious titles, except one which I had not even heard of: Man With A Movie Camera by Dzyga Vertov, made in the 20's, and billed as a Russian experimental film. Right down my street I figured, so out of curiosity, and since the BFI had the brilliant idea to screen all of the top 10 films this month, I decided to go and check it out, and report back.

Spotlight On The London Spanish Film Festival 2012

The London Spanish Film Festival is having its 8th edition this year, and I have to admit being a little confused as I already went to a Spanish Film Festival earlier in the year in London. But then we can never have too much of a good thing so I am happy with a second one! I have found myself with a growing interest in Latin American/Spanish cinema recently, and this edition has a surprising amount of bonkers and cult looking films which are always welcome. I offer you a small selection which has piqued my interest:

The Human Centipede 2 Vomit-Along!

Join me for my live, and now infamous Human Centipede 2 vomit-along! You might remember my first vomit-along while watching the first film, which was nowhere near as gross as I expected, probably because I knew all that was coming. And let's face it, it was not quite as graphic and violent as the hype had us believe. No such danger with the second one, which is said to not so much push but smash the teeth of bundaries and pick up the pieces with rusty tweezers. I recently met director Tom Six and lied to him saying I had seen both films and loved them both... So now there is no escape, no going back, the DVD is on, let's all vomit along!

London Film Festival 2012: Top 5 Not To Be Missed

I have been spending the last few days furiously flicking through the pages of the London Film Festival programme trying to decide on my schedule. The increasing number of venues and the distances involved have been adding to the headache of films clashes, to the point where I would need the sort of 3D space hologram map as displayed in Prometheus to be able to make a clear schedule. (Navigation by Fassbenger's magic flute optional).

There is little point me doing an extensive coverage of the line up, other film sites with more time and ressources can do it better than me. I would rather put the spotlight on a handful of films I have uncovered which fits our blog's focus of alternative, cult and Asian cinema. I have taken more and more of an anti-trailer stance recently, and especially with films like those below that I have seen little about, I want to keep them as fresh and intact as I can. Here they are: