Set during the early stages of European expansion, Magellan follows the famed explorer Ferdinand Magellan as he embarks on his fateful voyage. When Magellan arrives in unfamiliar territories, encounters with indigenous populations quickly expose the ideological foundations of his mission. What begins as an expedition driven by prestige, faith, and imperial competition gradually becomes more complex and morally compromised.
This is not just a beautiful but hollow film however, its interrogation of power, ambition, and historical violence just as compelling. The pacing is deliberate, often austere, yet this is as much a turn towards the mainstream as the Filipino director is ever going to take. The narrative is relatively straightforward, all things considered and the film never feels dry. On the contrary, it is quietly gripping, sustained by a clarity of point of view as well as a complex commentary on colonialism that never feels simplistic or like a lecture.
Gael García Bernal delivers an extraordinary performance in the title role, showing a facet of his talent and a maturity we have not seen before. He gives much depth to his character, playing him as a man consumed by conviction, pride, and an almost tragic blindness to the consequences of his actions. His Magellan is intelligent, charismatic, and often persuasive, yet increasingly brittle as his authority is tested.
Magellan is a film that lingers through the quiet persistence of its images and the unresolved questions they leave behind.
Review by Laurent de Alberti.
Official selection, Cannes Premiere.
Star rating: ★★★★★
Magellan. Directed by Law Diaz. Starring Gael García Bernal, Angela Azevedo...
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